Published on 2025/05/05
FROM LA CALAVERA GARBANCERA TO LA CATRINA

david
It all started as social satire. In the early 1900s, Mexican illustrator José Guadalupe Posada sketched a skeleton wearing an elegant European-style hat—and nothing else. He called it La Calavera Garbancera, and the drawing was a jab at people of humble or indigenous background who rejected their roots and tried to pass as Europeanized elites. “Garbanceros” were those who sold chickpeas instead of traditional maize, pretending to belong to a class they didn’t. Posada captured that hypocrisy with a grin: no matter how fancy you dress, in the end, we all turn into skeletons.

For years, that’s all it was—sharp, black-and-white social commentary. But everything changed when Diego Rivera brought her back to life in one of his most iconic murals, Dream of a Sunday Afternoon in the Alameda Central. There, the skeleton appears fully dressed in a long gown, more refined, and surrounded by historical Mexican figures. That’s when she finally got the name everyone knows today: La Catrina.

From that moment on, she stopped being a symbol of mockery and became an icon of the Day of the Dead. Over time, her image took on color, flowers, makeup, and all the visual flair we now associate with her. Today, La Catrina is more than just a stylish skull—she’s a symbol of respect, humor, and pride in death as a part of life. She’s not scary, not grim. She’s art, tradition, and presence.

And even if she started as a critique, she’s evolved into something much bigger—a figure that represents not just death, but the way Mexico looks it in the eye, without fear… and with style.



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Another one?

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Published on 2025/05/05
JOAKIM KARLSSON 2K25

Exactly five years ago, we did a feature on photographer Joakim Karlsson. Today, he’s still diving deep into the world of sensual art and nude photography, traveling the globe and refining his craft. Here’s a glimpse at some of his latest work—enjoy.



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Occupied!

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Published on 2025/05/05
A WELL-DESERVED PUNCH

There’s a deeply primitive kind of satisfaction in watching someone you can’t stand take a punch. You don’t even need to justify it—it’s instinctive, almost visceral. It’s not that we’re all naturally violent (well, not all of us), but something about that moment taps into the most basic part of how we process justice. It’s like the universe briefly realigns itself to pay that person back for every smug grin, every lie, every bit of hypocrisy, every arrogant outburst—distilled into one solid hit.

And it’s not really about the pain or the physical damage. It’s about what the punch represents. It’s what so many people have wanted to do but never could. A fleeting but powerful fantasy, where bottled-up rage finally gets an outlet and your ego gets a tiny taste of revenge. That’s why—even if we know it’s not the “right” thing, even if we’re not the punching type—there’s something oddly satisfying about watching the scales balance themselves out with a well-deserved punch.



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Today’s slow-mo moment.

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Published on 2025/05/05
DIY, BABY

vikingo, david
There are things you just don’t need to buy when you can build them yourself with a bit of skill and four random parts. The classic prison tattoo machine is a perfect example. There’s no Amazon or AliExpress behind bars, but there’s plenty of imagination, patience, and—most importantly—access to old junk like walkmans or cassette players. That’s where you get the motor: small, steady, and with just the right spin to make something actually work.

Next, you need a body to guide the needle—and that’s where the legendary Bic pen comes in. You empty it out, cut it if needed, and it becomes the frame that holds the whole setup. You fix the motor however you can—with rubber bands, dental floss, scraps of fabric, or electrical tape. On the motor shaft, you attach a button—yeah, like the kind you sew on clothes—stuck on slightly off-center. That little imbalance is what turns the rotation into a mechanical back-and-forth motion.

Then you attach a thin wire or rod to that button, and that’s what moves the needle up and down inside the pen tube. A metal paperclip might come in handy here as part of the internal support, maybe to hold the motor or steady the tube. The key is making sure nothing flies apart once it starts buzzing.

To power it, a 9-volt battery does the trick, or an old phone charger if that’s what you’ve got. And that’s it. If you’ve put it together right, the needle moves up and down in a steady rhythm, and your DIY machine is good to go.

Now just make it bigger, stick a dildo on the tip… and boom, you’ve got yourself a fuck machine.

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This means you have to go to the web version of Telegram https://web.telegram.org and log in, if you are not already. In the settings, in the "Privacy" section, find the option "Sensitive content" and activate "Disable filtrxl104ng". As soon as you do, the Settings will automatically sync with the rest of your devices, including the iOS and macOS versions of the App Store.
From there you will be able to enter all the Adult Channels.




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This one’s gonna look amazing on video.

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Published on 2025/05/02
AMATEUR FLESH: RXL104

rxl104, which honestly sounds more like a newly discovered galaxy than a username, is the amateur star wrapping up this weird week full of blackouts and random holidays.
We’re back on Monday with more—and always better. Always better.



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It’s Friday, and the body knows it.

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Published on 2025/05/02
SRVIRAL #2022

Kicking the punching ball…

Catch!	Getting out with style	Don’t move
Lumberjack	Drifting	Static electricity
Mr. Bean	Spontaneous	Neighbors

You can see many more videos, curiosities and silly stuff visiting srviral.com


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Published on 2025/05/02
PODCASTS

Some people can’t start their day without coffee. And then there are the rest of us—we can’t start without a solid podcast playing in the background. Because let’s be real: podcasts have managed to sneak into our daily lives like they’ve always belonged there. Whether you're cooking, driving, or pretending to work, there’s always time to let someone else do the talking.

Even though it feels like they’ve blown up just recently, podcasts have been around since the early 2000s. Back then, it was mostly tech nerds rambling into a mic. But little by little, they became mainstream. Now there’s a podcast for literally everything—history, science, comedy, sex, true crime, gossip, mental health, philosophy, food... you name it. If you can think of a topic, someone’s already dropping episodes on it.

Why are they so addictive? Because they’re easy to consume. They keep you company. You get to choose exactly what you want to hear and when. And there’s something weirdly comforting about listening to real people have real conversations—sometimes deep, sometimes chaotic, but always human.

Listening to a podcast is like crashing a good convo without having to say a word. Just you, your headphones, and a whole universe of stories to get lost in.



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Everything reminds me of her.

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Published on 2025/05/02
LOVE, DEATH, AND ROBOTS VOL4

Love, Death & Robots isn’t your average series. It’s a wild blend of sci-fi, insane animation, and stories that hit you without warning. Each episode is its own little world—sometimes a visual masterpiece, sometimes a straight-up gut punch. And sometimes, it's the kind of deep, twisted reflection that stays with you for days.
Since its debut, it’s become a benchmark for adult animation—serving up quick, unfiltered shots of AI, sex, death, love, moral chaos, and full-blown madness. Usually packed into 10 to 15 minutes. No filters. No rules. No mercy.

And now, Volume 4 is dropping. New stories, new styles, and a fresh wave of mind-blowing chaos. Hit play and get ready for the ride.



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Why doesn’t the one filming do anything?

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Published on 2025/05/02
THE INSTAGRAM OF THE DAY: AMBER AJAMI

Amber Ajami



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The clock that was always stuck at six.

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Published on 2025/05/02
10K GORILLAS VS 1M MEN

There’s one thing men haven’t lost since the dawn of time: the delusion that we can take on anything. And I mean anything. “A lion? I could take him.” “A bear? Easy. I’d jump on its back and choke it out.” That kind of nonsense has been floating around the internet for years, half-joking, half fueled by raw testosterone that doesn’t know the difference between confidence and a death wish.

And naturally, this macho overconfidence led to the inevitable: a computer simulation pitting one million men against 10,000 gorillas. Yep, ten thousand. And the result? A total bloodbath. The entire human army gets wiped out. Not a single man survives. In return, they manage to kill only 14 gorillas. Fourteen. The rest just keep strolling around like someone threw confetti at them. That simulation is what kicked off the debate. Now it’s not just “I could probably take one if I focused”—now it’s “Could 100 guys take on a single gorilla?”

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Today’s slow-motion pick.

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