NARCISSISM AND SOCIALMEDIA VOL12

We can define cringe as the experience of an inward shiver of embarrassment or disgust based on social awkwardness. Cringy situations make us feel discomfort or rejection when we look at others doing something embarrassing, ridiculous or pathetic.

When your parents are in charge of managing your social media accounts.

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

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This is my stop.

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TRIBE OF WOMEN SHOPPING AT SPAR

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Watching a group of Black women, seemingly from a tribal community, walking around completely naked—apart from a small loincloth—through the well-lit aisles of a SPAR supermarket feels surreal. Like National Geographic suddenly crashing into your local grocery store.
A scene that, in their context, might be the most natural thing in the world, but through Western eyes it triggers an instant brain glitch.

It’s a brutal reminder that what we call “normal” is just one version of many. And that there are places where the body isn’t hidden—it’s simply lived. Funny thing is, you’re not even sure what shocks you more: the nudity itself, or seeing it in a setting that, to you, plays by totally different rules.



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When you finally find love.

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OFF-CAMERA MOMENTS

There’s something oddly beautiful about seeing movie heroes and villains getting along like old friends. Like they paused the explosions for a sec just to snap a photo, share a drink, or take a selfie with zero hard feelings.

Bruce Willis and the bad guy from Die Hard, hugging and toasting like the Nakatomi Plaza was just your average office party. Arnold filming a selfie video with Predator, like “you tried to rip my head off, but man, what a blast we had.” And Sarah Connor, full “I survived the apocalypse” vibe, casually posing with the T-800 as they share an ice cream like two besties at a county fair.

It’s like the script takes a break, the action freezes, and for a moment, it’s just two people having a laugh.



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Today’s slow-mo moment.

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SUPERMAN: LEGACY

There was a time, back in the '90s, when going to the movies felt like a weekend ritual. Every Friday brought new and varied releases. There was always something that grabbed your attention—maybe a wild comedy, an action flick full of explosions, or a story that hit you right in the feels. Not every movie was a masterpiece, but most of them did the job: they entertained you, made you laugh, pulled you in. And the best part? You walked out of the theater feeling like it was worth it, like you hadn't been ripped off. (Back then, 4 euros got you a ticket, popcorn, and a drink.)

Nowadays, though, it’s hard to find something that actually makes you want to pay for the big screen experience. Weeks can go by without a single release that doesn’t feel recycled, predictable, or just plain boring. I don’t know if it’s me getting pickier, the industry running out of ideas and cash, or a mix of both. But in this case, it really does feel like the “good old days” weren’t just nostalgia—things really were better back then.

DC just dropped a nearly five-minute clip on YouTube featuring David Corenswet as Superman, along with his dog, Krypto. The video shows a wounded Superman in a frozen, icy setting.



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Today’s slow-mo moment.

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SHADOWOLOGY VOL2


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A couple of years ago, we talked on ALRNCN about the work of Vincent Bal, a Belgian artist and creative who’s been sharing his funny and original pieces on social media for a while now.



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Surprised Fucked out of nowhere.

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THE DOR BROTHERS

The Dor Brothers is a leading video production company powered by artificial intelligence (AI), founded by the Dor brothers in Berlin, Germany. They specialize in creating music videos, commercials, and creative projects using advanced AI technology to generate innovative, high-quality visual content.

They’ve produced over 200 music videos and countless ad campaigns, racking up more than 100 million views worldwide. Their work has been featured in outlets like Forbes, where they’re praised for pushing the limits of generative AI in filmmaking.

One of their latest projects is an AI-generated video for the song “Chinese Children” by Devendra Banhart—an impressive fusion of music and cutting-edge tech.



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The slow motion of the day.

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28 YEARS LATER

Almost three decades after the Rage virus escaped from a lab, the UK remains under relentless quarantine. Survivors have learned to live among the infected, building isolated communities in a ruined world. One of those communities exists on Lindisfarne Island, connected to the mainland by a single, heavily guarded causeway. When a father and his son leave the safety of the island and venture into the heart of the mainland, they uncover secrets, wonders, and horrors—proof that both the infected and the survivors have changed in terrifying ways.

Directed by Danny Boyle and written by Alex Garland—the creative duo behind 28 Days Later—this new chapter marks their long-awaited return to the saga. Starring Aaron Taylor-Johnson, Jodie Comer, and Ralph Fiennes, among others. While Cillian Murphy, the original film’s lead, doesn’t appear in this entry, he returns as executive producer and could make a comeback in the sequels.

28 Years Later is the third installment in the franchise, following 28 Days Later (2002) and 28 Weeks Later (2007). It hits theaters on June 20, 2025, kicking off a brand-new trilogy. The next chapter, 28 Years Later: The Temple of Bone, is already in the can and set for release on January 16, 2026.



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Today’s slow-motion moment.

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