REACTING AS IF NOTHING HAPPENED
On November 15, 2024, after Mexico's national team lost 2-0 to Honduras in the first leg of the CONCACAF Nations League quarterfinals, coach Javier Aguirre was struck on the head by a beer can thrown from the stands at Estadio General Francisco Morazán in San Pedro Sula. The impact caused a bleeding wound on his head.
Despite the injury, Aguirre downplayed the incident in his subsequent statements, saying, "It's not even worth mentioning because it's football, and I'm not one to complain." However, the Mexican Football Federation condemned the attack and urged CONCACAF to take action.
In response, CONCACAF sanctioned the Honduran team, requiring them to play their next home match behind closed doors and imposing a fine for failing to implement adequate security measures.
Big Wigs.
GET FIT VOL10Spring is already here, and summer is just around the corner—so either you get your act together now, or get ready to hide under your towel at the beach again, pretending you don't care. Sure, body positivity and accepting yourself sound lovely on Instagram and make for cute motivational quotes, but let’s be real: when the clothes come off, everyone likes feeling fit, looking great, and getting checked out.
Feeling genuinely good about yourself—with toned curves, no awkward rolls, and zero insecurities—offers a satisfaction way beyond what that greasy, chocolate-filled croissant ever could. Yeah, chocolate tastes amazing, but do you know what's even more amazing? Looking in the mirror and honestly thinking, “Damn, I look hot.” Because let's face it, no one regrets being in shape when July hits, but we definitely regret every indulgent winter snack when it’s swimsuit season again.
So drop the fake positivity, ditch the politically correct nonsense, and start breaking a sweat. The choice is yours: work hard now, or spend another summer hiding and making excuses. You decide.
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When she asks you for a ride somewhere and knows exactly how to thank you for it.
CITIUS, ALTIUS, FORTIUSIn Ancient Greece, women were strictly forbidden from participating in the Olympic Games—not as athletes, nor as spectators, except in rare cases. Only unmarried young women were allowed to watch, while married women weren’t even permitted near the stadium. However, they didn’t just stand by; instead, they created their own competition, the Heraean Games, held in honor of the goddess Hera, where they showcased their athletic abilities in foot races.
It wasn’t until the 1900 Paris Olympics that women were finally allowed to compete, but only in a few sports like tennis and golf, and they made up less than 3% of the athletes.
Times have changed, and by the Tokyo 2020 Games, nearly 50% of the participants were women.
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Bless you!
THE REAL-LIFE VERSION OF THE DICTATORWhat happened a couple of years ago at the Tohopekaliga Tiger Invitational in Kissimmee, Florida, seems like something straight out of a Sacha Baron Cohen comedy. During a high school race, one competitor decided that rules didn’t apply to him and, instead of overtaking his rival with effort, opted for the quick route: a surprise punch.
Apparently, this runner wasn’t even officially part of the race, but he decided it was the perfect time to recreate that epic scene from "The Dictator," where the protagonist, gun in hand, ensures there’s no competition left on the track.
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Happy Birthday.
PAUL PFEIFFER. CARYATIDPaul Pfeiffer is a contemporary American artist, born in 1966, known for his innovative work in video, photography, and sculpture. His art often explores popular culture and media, manipulating images to question how we perceive and consume visual content in today’s society.
In his Caryatid series, Pfeiffer uses footage from sporting events to delve into themes of vulnerability and societal pressure on athletes. In the pieces focused on boxing, Pfeiffer digitally removes the opponent, leaving the boxer alone in the ring.
The absence of the adversary creates the illusion that the boxer is being hit by an invisible force, highlighting the loneliness and symbolic weight these athletes bear, both physically and emotionally. This approach encourages reflection on how athletes, much like caryatids in classical architecture, bear the weight of society’s expectations and projections.
Through these manipulations, Pfeiffer transforms fight scenes into visual meditations on human fragility and media pressure, reinterpreting the sports spectacle as a symbolically charged act.
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Somersault.