BASKETBALL AND WRESTLING

In order to score in basketball, several factors need to be taken into account, such as the distance, the height of the basket and the force used to throw the ball. This could be summarized with the following formula:

F = (m * g) + (0,5 * p * A * Cd * v^2)

where:

F is the force needed in Newtons.
m is the mass of the ball in kilograms.
g is the acceleration due to gravity (9.81 m/s^2).
p is the density of air (1.2 kg/m^3).
A is the frontal area of the ball in square meters.
Cd is the drag coefficient (0.47 for a basketball).
v is the speed of the ball in meters per second.

Well, to all this, imagine if you had to add the fact that you have a guy behind you who wants to throw you to the ground.

instagram.com/regbol.russia

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

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Black Sabbath or...

... or Iron Maiden?

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THE MOST BRUTAL SPORT IN THE WORLD

Max Lahiff travels to Italy’s cultural capital of Florence to witness the outrageously physical Florentine tradition of Calcio Storico.



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Oh my God! I'm trapped! Help me out please!

Full scene

She is Chanel Shortcake and in this link you can see several of her porn videos


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MARTA KOSTYUK AND THE MILF OF PARIS 2024

During the Paris Olympics, tennis player Marta Kostyuk went viral for spontaneously dancing when "Uptown Funk" by Bruno Mars played in the stadium while she was waiting for her opponent, who had taken a bathroom break.



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The slow-motion of the day.

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THE REAL-LIFE VERSION OF THE DICTATOR

What happened a couple of years ago at the Tohopekaliga Tiger Invitational in Kissimmee, Florida, seems like something straight out of a Sacha Baron Cohen comedy. During a high school race, one competitor decided that rules didn’t apply to him and, instead of overtaking his rival with effort, opted for the quick route: a surprise punch.

Apparently, this runner wasn’t even officially part of the race, but he decided it was the perfect time to recreate that epic scene from "The Dictator," where the protagonist, gun in hand, ensures there’s no competition left on the track.



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Happy Birthday.

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LIN YU-TING LOSES AND IMANE KHELIF WINS

Yesterday, we discussed the controversy surrounding the boxing competition at Paris 2024 due to the participation of Algerian Imane Khelif and Taiwanese Lin Yu-Ting, who, after undergoing DNA tests, were found to have XY chromosomes.
The fights are taking place since the IOC allows countries to choose their representatives. On one hand, Lin Yu-Ting lost to the Russian representative, while Imane Khelif won after the Italian Angela Carini withdrew, stating that "it was too strong of a punch."



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The slow-motion moments of the day.

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UNBREAKABLE

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In karate exhibitions, breaking boards might seem like a skill reserved for martial arts masters, but there are actually a few tricks behind it. They don’t just use any random plank; the wood is dry, with aligned grain that makes it easier to break, and some even have subtle pre-cuts. The key isn’t brute force but technique: striking with precision, speed, and following through without hesitation. Plus, the board is positioned in a way that concentrates the impact energy at the exact breaking point.

I have no idea what they were using in the next video, but the participants' experience was anything but smooth—more like painful and embarrassing.



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Justice League 2.

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PAUL PFEIFFER. CARYATID

Paul Pfeiffer is a contemporary American artist, born in 1966, known for his innovative work in video, photography, and sculpture. His art often explores popular culture and media, manipulating images to question how we perceive and consume visual content in today’s society.

In his Caryatid series, Pfeiffer uses footage from sporting events to delve into themes of vulnerability and societal pressure on athletes. In the pieces focused on boxing, Pfeiffer digitally removes the opponent, leaving the boxer alone in the ring.
The absence of the adversary creates the illusion that the boxer is being hit by an invisible force, highlighting the loneliness and symbolic weight these athletes bear, both physically and emotionally. This approach encourages reflection on how athletes, much like caryatids in classical architecture, bear the weight of society’s expectations and projections.

Through these manipulations, Pfeiffer transforms fight scenes into visual meditations on human fragility and media pressure, reinterpreting the sports spectacle as a symbolically charged act.




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Somersault.

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